The Art of the Patina: Reimagining the Mansion Patios - Le Manoir de l’Aube (Part 3)

Enzie Shahmiri
2022-10-19T13:00:00-07:00

In the quiet, upper reaches of the Grand Mansion, two patios offer a study in architectural potential. To transform these from their original plastic origins into authentic stone terraces, I’ve moved away from the artificial and toward the organic. This exploration of the "Art of the Patina" details my process of layering chalk paint, dry pigments, and gravity-led watercolor washes to mimic the weathered, timeless beauty of real-world masonry.

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The Art of the Patina: Reimagining the Mansion Patios

In the upper reaches of the 2005 Mattel Loving Family Grand Mansion, two patios sit as quiet architectural opportunities. One is framed by grand double doors; the other is a more secluded nook bathed in the light of a single large window. To transform these from plastic play-spaces into authentic-looking stone terraces, I looked past the original "dollhouse pink" and toward the organic imperfections of real-world masonry.

Layering the Foundation

The transformation began with a total erasure of the original palette. I applied several coats of white chalk paint, creating a toothy, matte canvas. This serves as the "grout" and the base for the stone's character.

The Alchemy of Pastels and Gravity

To achieve the variegated tones of natural rock, I used a technique of controlled randomness:

The Dry Pigment: Using soft pastels in varying shades of slate grey and earth brown, I applied color only to the raised surfaces. This ensures the "stones" catch the light and pigment while leaving the recesses clean.

The Watercolor Wash: To define the depth, I let gravity do the work. I applied a heavily diluted dark grey watercolor wash, allowing the fluid to find its own way into the grooves.

The Natural Line: By resisting the urge to draw rigid lines and instead letting the water settle naturally, the "mortar" lines emerge with an organic, weathered realism.

The Final Polish

To give the floor the cool, damp look of real stone under the elements, I finished the surface with a glossy varnish. This adds a dimension of reflected light that mimics polished slate.

The project remains an evolving canvas. Soon, I’ll be introducing custom 3D-printed railings and refining the double doors to match this more sophisticated exterior.

Le Manoir de l'Aube (Manor of Dawn) – Suggests a fresh start for an old piece.

This is the 3rd post in the series - Click here to view more